"From Hell" tells the story of Inspector Aberline (Johnny
Depp) the detective assigned to investigate the grotesque murders of several prostitutes in 1888 London by Jack the Ripper. Aberline is
blessed with the gift of psychic premonitions (after a nice bout of Opium,
that is) of the girls about to be murdered.
However, all
he can see in these dreams are visions of the dead and their
surroundings. In another twist of bad timing, this is London in 1888. It is a dark, gray city where every brick building and
cobblestone street looks the same, so it's impossible to decipher which alleyway these murders are about to take place in. All I have
to say is thank God that today in the 21st century, our psychics are able to locate crime scenes right down to the exact open, green
field with a fence by a tree next to a river. As long as we keep supplying our psychics with opium we should all feel pretty safe.
And what would a film about Jack the Ripper be without a love
interest, right? So, Aberline falls for Mary Kelly (Heather Graham), one of the five whores he is supposed to be protecting. These
prostitutes are supposed to be struggling for cash to pay off their pimp, which I can understand by looking at the other four, but while
Heather Graham may have the acting skills of a Golden Graham, I'm pretty sure that there would be no shortage of men willing to boink
her for sixpence covering her weekly kickback. She did however have a problem covering her breasts which were putting as much stress on
her shirts as the San Andreas fault exerts on southern California...not that I minded.
I guess that my major problem with "From Hell" is that the whole
mystery of Jack the Ripper is just that: It's a mystery and no one knows who the killer was. That's what has made the case so famous
and mysterious. When a film attempts to guess at his identity, the mystery is taken away and my interest fades to a dull gray, much
like the streets of 1888 London. The only thing that could have regained my interest was if Jack the Ripper appeared in the theater
seat behind me and tried to cut my throat. But alas, bad timing prevails again because he's been dead for 100 years and no one could
take away my pain of sitting through the rest of this film.
Click
here to read poetry by Rob Schumann. Really.